To the best of my recollection, I can’t recall ever being tear-gassed.
My first instinct should have been to turn around and run away from the plaza, like everyone else, screaming and covering their mouths. The old, indigenous woman, with the multiple petticoats and black pork pie hat, sitting at her usual location half-way up the block, from whom I normally bought a newspaper every day, suddenly bent over and vomited. Moments before, I had heard a “pop”, “pop” and saw white, billowing clouds of smoke. A young Ecuatoriano adult, running in a hooded sweatshirt, gave a sudden yelp and stumbled, after getting hit in the leg with one of the tear gas canisters.
The burning first starts in the throat, accompanied by a strange, metallic taste when swallowing. The nose, then starts to flange and burn, as the tear gas (which is actually not a gas, but an aerosolized solid or liquid compound) synges the cilia inside. Sneezing eventually sets in followed by wet, weeping eyes. Depending on how much of the gas one is actually exposed, incessant coughing can occur, and in more severe cases, difficulty breathing, eye pain and temporary blindness. Fortunately, I caught sight of a coffee shop pulling down the metal window covers and was able to duck inside, with about 10 others, before the doors were closed and locked. That was day #1 of the 12 days of violent protests in Ecuador, which were the catalyst for the Latin Spring of 2019.
Two days earlier, President Lenin Moreno had announced austerity measures in order to curb the country’s debt, which had tripled under his predecessor, President Rafael Correa. These included cuts in public workers benefits and wages and an end to fuel subsidies, which subsequently, doubled the price of diesel gas. The transportation industry and indigenous groups were outraged and staged protests throughout the country, blocking all bridges and highways around the larger cities. Several major oil fields, TV stations and the National Assembly were occupied as student groups and labor unions soon joined the uprising. As the paralysis in Ecuador extended into the second week, it catapulted longer and more intense demonstrations in Chile, and later in the month in both Bolivia and Colombia.
Although, the triggering events differed (increase in metro fares, ending fuel subsidies, rumors to eliminate public pensions, a contested presidential election) the outcomes were similar; lengthy, large scale and often violent anti-government protests staged by students, public employees, and indigenous groups which resulted in deployment of the military and police to quell the unrest. Demonstrators in Colombia waved Chilean and Ecuadorian flags and displayed banners that read “South America woke up.”
The results? The return of the petroleum subsidies in Ecuador, repealing of the metro fare increase in Chile, the resignation of President Evo Morales in Bolivia, and agreements to negotiate with the protest leaders in Colombia. Unfortunately, however much gain was realized as a result of the protests, they were not without their consequences. Extensive property damage occurred from many of the demonstrations with prolonged business closures, disruption of infrastructure, travel and tourism, not to mention multiple deaths and hundreds of protestors, bystanders, police and military personnel injured. A country should not need to endure such hardships in order to move forward.
Revolución, (below) is an original psychedelic Afro-Latin composition by Ojos Feos featured on our 2019 album, La Situación, which is played behind an adaptation of a merengue based rhythm. Though not written with the intent to represent any particular country, the song is an ode to citizens rising up, acting and speaking out against government corruption and inequality. As witnessed in the Latin Spring of 2019, when the people speak, the government listens.
– Robbie Cree (Ojos Feos bandleader)
https://www.facebook.com/ojosfeosmusic/
Ojos Feos – Revolución
