“What I love most about this song is that it doesn’t have to be about a breakup. It can be about family, friends, or even yourself. Sometimes the very thing we expected to help us was the very thing holding us back.” Jenane says, “It’s easy to think that someone can change and that you’re the one who can change them. “Who You Are” is about accepting that their faults are simply not your responsibility.“
Jenane is a 24-year-old Nashville-based pop/R&B artist. Being raised 30 minutes from Atlanta in a small town called Peachtree City has helped Jenane find her passion for music and performance at an early age. Growing up biracial, Jenane was heavily influenced by the R&B styles popularized by black artists and loves to fuse them with the contemporary pop styles of today.
After getting her degree at Belmont University,she has been performing all over the southeastern U.S. for packed crowds who go wild for her insane vocals and magnetic personality. Jenane is growing her social following rapidly and focuses on all things vocal in her videos. Currently, she has over 420K followers on Instagram and over 700K followers on TikTok.
Jenane is also a member of the all-female supergroup ElectraQueens alongside Gabrielle Vaughn and Alyssa Scott, which has seen massive success in the past two years. ElectraQueens are an all-female, cross-genre-blending band like no other. ElectraQueens have started growing their roots on the TikTok platform and now have 135K followers after the success of their “duet” style videos and a devoted fanbase that is always asking what is coming next. They recently collaborated with The Bacon Brothers (Kevin Bacon and Michael Bacon) on a recent release of their new EP ‘Erato,’ “Let Me Happen to You Girl” and Kathy Sledge of “Sister Sledge” fame on a cover of “You Are Everything” by The Stylistics. They also made their City Winery debut in Nashville for two shows, performing alongside The Bacon Brothers.
Trying so hard to convince yourself that letting them back into your life wouldn’t “stop the bleeding” messes you up even more and makes you unintentionally crave that pain. She sings, “I let you mess me up a whole lot more than I intended / I let you tear a hole, convinced myself that you would mend it / I’m tired of begging, praying you would come and stop the bleeding / I think I know you are not the medicine that I was needing.”
Jenane’s smart lyricism and great descriptions give your imagination a full run and help you dive into heartbreak fully, headfirst. The instrumental choices help you focus more on the song’s content than the production, unlocking a new appreciation for Jenane’s voice. Rich and grand, but tamed simultaneously.
Keep up with Jenane at her website or at her Linktree.
