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Ruiner dissolves both the heavy reverb and ethereal moments found on their first recording by instead letting the band’s essentials – drums, bass, guitar, and vocals – have center stage. In the album’s opening moments, you might hear a knotted wash of guitars and Wilson softly humming, for a very brief moment returning you to their dreamscape but sharply, a driving rock rhythm comes into focus and so too does a revitalized band. While Wilsen have retained elements of their fragility, on Ruiner they use bolder sounds and play with gritty textures and jarring grooves.
For Tamsin Wilson, she’s also moving towards self-acceptance. “I have an inherent shyness,” she says. “I’m acknowledging and finding a way with it as I get older.” Throughout the record, she comes to terms with her many sides, including her introversion and her inner, self-sabotaging monster to which the album title refers. On “Feeling Fancy,” with her distinctively hushed vocals overpowering the track’s clamorous instrumentals, Wilson offers listeners a powerful, and celebratory, declaration that “Quiet’s not a fault to weed out.”
