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Why is African-American Gospel Music of the 40s and 50s, and for that Matter, White Country Gospel Music of the Same Time, Usually Perceived by Critics to be More Real, Vital, Culturally-Significant, Lasting and Better than the Christian Contemporary Music Which Immediately Followed Thereon?

Why is African-American gospel music of the forties and fifties, and for that matter, white country gospel music of the same time, usually perceived by critics to be more real, vital, culturally-significant, lasting and better than the Christian Contemporary Music which immediately followed thereon? Chris Estey – I could write a book. Wait, I am. …