. . This woman is awful. She has probably already been expelled from UCLA: .
Every week a new fave. I love this: . .
Here’s Isaiah Thomas’s beautiful last second shot which lifted the mighty University of Washington Huskies over the evil Arizona Wildcats in the PAC-10 Championship game. TheKiMan272 sets the scene for you in his daily vlog: . . .
. Here is the most dramatic and scariest tsunami footage so far. This is taken first person, close up, as the waters are rising around the videographer. As one of my old friends from Chicago said, “Wow! That is the most powerful footage I have seen yet. Think of how terrifying that must have been …
. In this very violent news clip, a Bahraini protester appears to be shot at close range several times by police, probably by non-lethal rounds: . .
Seattle’s legendary psychedelic band The Daily Flash on “The Girl From U.N.C.L.E.”… The Flash crossed paths, once or twice, with notorious LSD cook/cultural icon Owsley Stanley, who died in a car crash today. This clip is so trippy, it would seem Owsley was dosing folks off-camera… but alas, no, just bad TV. Here’s the Youtube …
If you missed this, you must see. Zach Galifianakis hosted a a very funny episode of SNL on 3/12/2001:
. Hey, there’s an ad in my sidebar now that says Rick has signature cases for iPads and iPhones — limited edition checkerboard! hehe: – Andrea Miller .
. This could be useful also: Youtube has assembled a playlist of 50 awesome videos from acts to perform at SXSW. Click on this link and the Youtube page which opens in a new window will start and run continuously through all fifty vids or just click the “Up Next” option in the video screen …
Here’s Meklit Hadero, one of the many artists showcasing at South By Southwest. This delicate sonic flower of modernity, called “Leaving Soon,” is informed by jazz, hip hop, folk, moody, string-laden chamberpop and a grownup’s instinct for romantic risk vs. reward analysis. Nonetheless it’s playful and catchy from beginning to end and makes my adrenal …
Hollywood movie makers of the 1940’s didn’t necessarily set out to make cinematic history. In fact, many of them were European émigrés escaping Nazism, who were merely trying to adopt the tone and voice of their new country, which they discovered in no less an American style than hard-boiled pulp novels. But their more sophisticated …